On April 22, 2025, an article discussing films that serve as reminders of pre-Trumpian times and sources of inspiration in the political landscape was published. The piece explores several notable works in film and television that capture moments of political significance and their impact.
The focus began with “The West Wing,” a series that captivated viewers with its representation of political ideals. One of its stars, Bradley Whitford, humorously suggested that his acting career reflects the rise and fall of democracy, having moved from “The West Wing” to “The Handmaid’s Tale.”
The article then provided a list of artistic endeavors worth revisiting for their reflection of politics before the Trump era. Among these, “The Seduction of Joe Tynan,” a 1979 film featuring Alan Alda and a young Meryl Streep, stood out as it highlighted a senator’s defiance of a racist Supreme Court nomination.
Another mention was “Being There,” a 1979 film adaptation starring Peter Sellers, which satirizes the rise of a political pundit devoid of true insight, relying instead on television appeal.
“Mr. Smith Goes to Washington,” a classic from 1936 starring Jimmy Stewart, was recommended for its portrayal of a senator’s unwavering resolve in the face of political pressure, culminating in a 25-hour filibuster.
Rob Reiner’s “The American President,” written by Aaron Sorkin, was praised for its narrative where President Michael Douglas steps up to a controversial cause, complemented by the romantic aspect of not needing to woo his girlfriend with flowers, as pointed out humorously in the film.
“The West Wing” was adorned with special mention as possibly the best political series, with Martin Sheen’s role from “The American President” evolving into President Jed Bartlett. The series tackled various issues, including immigration and international conflict, maintaining relevance even today.
The article also discussed films in which journalists appear as heroes. “All the President’s Men,” featuring Robert Redford and Dustin Hoffman as Woodward and Bernstein, remains a paramount example of investigative journalism. In a similar vein, “The Post,” starring Meryl Streep and Tom Hanks, offered another perspective on the era.
“Good Night and Good Luck,” a 2005 film by George Clooney, presented the battle between Edward R. Murrow and Joe McCarthy, highlighting the press’s power. “Frost/Nixon” also came up, showcasing famous interviews between David Frost and Richard Nixon, dramatized and brought to life by Michael Sheen and Frank Langella.
The article further delved into films that humorously critique politics, like “Dave,” where a presidential look-alike changes the course of leadership, and “Wag the Dog,” a satire about a fabricated war used to distract from a presidential scandal.
Several war-related films also found a place in the discussion. “Born On the Fourth of July” featured Tom Cruise as a Vietnam veteran who becomes an anti-war advocate. Spike Lee’s “Da Five Bloods” and “Coming Home” starring Jane Fonda and Jon Voight were highlighted for their profound depiction of war’s aftermath.
Lastly, “A Face in the Crowd,” starring Andy Griffith, was mentioned as a piece showing how media can be manipulated by those claiming to speak for the people. The article concludes by noting Melvyn Douglas’s prominent role in portraying politicians across several films and looking forward to a renewed interest in stories like that of Helen Gahagan Douglas.
The article shed light on the tumultuous environment under the Trump administration, suggesting numerous avenues for change and opposition, while emphasizing the importance of independent journalism in 2025. Readers were encouraged to support this critical storytelling, reinforcing that such journalism was necessary to resist political oppression.
